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Awards
On the Other Side of the Moon
Written By
Tray Epps
Logline
Two estranged friends reunite after one returns from abroad, confronting the distance that time, change, and silence have placed between them.
Format
Genre
Comps
Aftersun’s tender melancholy
Meets
Before Sunrise’s intimate conversations
With an element of
Blue Jay’s emotional minimalism
the Story
On the Other Side of the Moon follows two friends reuniting after one returns home from abroad. The distance between them isn’t just miles — it’s the subtle drift of change, the silent questions that time breeds. Their reunion holds promise and resentment, affection shaded by estrangement. Through shared silence and careful conversation, they search for the familiar in each other, wondering if what they once were can be what they become again.
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The "Story Behind the Story"
On the Other Side of the Moon was a collaboration shaped by perspective and trust. Written by me but directed by filmmaker Tavis Northam, the film became a true meeting of voices. Tavis brought a quiet, lyrical sensibility to the project, finding intimacy in silence and framing the story’s pauses as powerfully as its words. My script explored friendship, distance, and the unspoken weight of change, but it was through Tavis’s direction that the emotional subtlety found its shape on screen. This partnership allowed the film to grow beyond a personal story into something universal — a shared reflection on how we lose and rediscover each other across time and space.
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Key Themes
At its core, the story is about the fragile bonds of friendship — how time, distance, and unspoken truths stretch those ties but never fully sever them. It explores what it means to return changed to a place or person you once knew, and the tension between who we were and who we’ve become. Through quiet conversation and silence alike, it asks whether reconnection is about reclaiming the past or accepting a new future.
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Project Status
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The World
The film’s world is small, intimate, and observational — not about grand gestures but about the quiet spaces between people. Under Tavis Northam’s direction, streets, cafés, and shared rooms become stages for memory and change, captured with a delicate realism that feels both spontaneous and deliberate. The world is grounded, naturalistic, and slightly melancholy, mirroring the distance between friends who are learning how to see each other again.
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